Lévy Gorvy Dayan is thrilled to announce an exhibition of new paintings by Danielle Orchard in conversation with sculptures by Aristide Maillol (1861–1944), on the Fifth Floor of 19 East 64th Street in New York. Staging a dialogue between painting and sculpture that is beyond time, the exhibition will represent visions of form, volume, and line explored through the female figure.

Hashimoto Contemporary is pleased to present The Garden is Open, a solo exhibition by Brooklyn-based artist Jocelyn Tsaih. The show will be Tsaih’s inaugural solo exhibition at Hashimoto Contemporary, in which she considers the idea of sanctuary and refuge. Largely inspired by community gardens, parks and botanical gardens found in New York City and the Bay Area, The Garden is Open reflects on Tsaih’s sense of comfort when surrounded by plant-life and color, as well as their direct impact on her personal state of being.

It seemed a like a totem of survival, assertive and singular, a sequoia after a forest fire. Mark Whalen, who lost his home in the Altadena fire that ravaged the eastern portion of Los Angeles in early 2025, and his body of work, Lighthouse, have the context of strength and fortitude, but also something quite personal and reflective. The centerpiece 16-foot sculpture, created as a commission for Red Car and part of a group of sculptures shown as part of a presentation with Harper’s for Frieze Week in LA, shows what Whalen has as a storyteller: the stacking of pieces of a thought, they way a whole comes together with…

The Trophy Room LA is thrilled to present Whispers of Kindred Souls a solo exhibition from artist Satoko Okuno. The exhibition runs from March 1st to  March 30th, 2025, and there will be an artist reception on March 1st from 5 to 9 p.m. Please join the artist and gallery in celebration.

In their first exhibition at Sadie Coles HQ, Radio Juxtapoz and featured artist alum Dada Khanyisa presents a group of ‘sculptural paintings’ that look to their immediate community in Cape Town, popular culture, and Khanyisa’s extensive research into the social and political histories of South Africa, producing lively figurative assemblages that convey the vibrancy and diversity of contemporary life. Throughout their labour-intensive practice – incorporating hand carved wood, meticulously compiled sculptural elements and found objects, and painted backdrops borrowed from candid or historic photographic sources – Khanyisa expresses interpersonal dynamics through the lens of their social observations and lived experience.

In Spring 2022, when we last sat down with Woody De Othello, he told us, “I feel like I’m a California kid at heart. I know I’m not leaving the state. I’m here for life.” And it feels quite on point, on brand, that California’s De Othello would kick off Karma’s Frieze week in Los Angeles with Tuning the Dial, his first ever solo show in LA.

James Fuentes is honored to present Bronx Figures, an exhibition surveying the iconic freestanding works of long-term collaborators John Ahearn and Rigoberto Torres. These affectionate portrayals of the city’s ordinary people began on the sidewalk when, in 1979, Ahearn set up shop to life-cast passersby at the storefront of Fashion Moda, the storied South Bronx art gallery run by Stefan Eins, Joe Lewis, and William Scott. It was there that Ahearn would also meet Rigoberto Torres, a Puerto-Rican born, Bronx raised artist whose experience in casting began in his uncle’s botanica statuette factory. Bronx Figures brings together a group of ambitious, in-the-round works spanning the 1980s to today, which have…

Back in 2021 when we last spoke with Japanese ceramic and sculpture artist, En Iwamura, he told us, “I’m still exploring different materials. To be honest, all the colors are decided at the time of spraying—but this often happens by chance. I don’t know which object will have which color, because, for me, I mix the clay with the glazes in different proportions for each figure, and then I spray it. Then, when I open the kiln, I am surprised every time at the colors that emerge.” And now 4 years later, and looking at his new solo show Mask at Ross + Kramer Gallery, and spanning across 20 ceramic sculptures,…

When David Lynch passed away last week, I was writing a little bit of an overview of this show, Canadian artist David Altmejd’s “Prélude pour un nouvel ordre mondial” at Xavier Hufkens, Brussels. It felt eerily apt and I stopped writing to look over the Lynchian universe, a bit of a gut punch to lose such an icon of Los Angeles in the wreckage of the fire disasters. Altmejd, to me, exists in this sort of post-Hollywood aesthetic, a juxtaposition of cultural and idyllic worlds mixed with the surreal and chaotic vision of modernity and post-humanism. In essence, while Altmejd’s sculptures manifest physical transformations in the medium of sculpture and invite viewers to engage…

There are chameleons, and then there is Nicole Eisenman. When Nicole was on the cover of Juxtapoz back in 2016, it was figurative painting that we knew the artist for, and their art historical overview of what they were painting was fascinating and, across the board, some of the most exciting works being made in painting. Now, often seen as someone who pushes sculptural work in new directions, Eisenman is set to open Plastered at Anton Kern. Plastered features ten relief portraits titled “Understudies,” and as the gallery notes, “along with two large wall reliefs, one of which depicting a bather with a cat, and various recent works including a new…